—Stanley Kubrick
This amazing reference of psychopathologically classified movies is primarily written as a learning supplement for students of psychology, social work, medicine, nursing, and counseling.
Geoffrey Cocks, similarly, shows the value of using a depth-psychological approach in understanding the life and work of the film
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director, Stanley Kubrick. Seymour Epstein takes on one of the personal puzzles that is of greatest interest to historians—and that had some of the most devastating consequences—Hitler's anti-Semitism.
Cette femme, que j'ai pu garder environ cinq années en thérapie, alors que le service d'oncologie lui avait parlé d'un ou deux ans de survie, était devenue spécialiste des situations acrobatiques, héroïques et parfois violentes, bien que l'on soit avec elle plus proche du Stanley Kubrick d’Eyes Wide Shut que d’Orange mécanique.
Izenberg, who demonstrates in the case of Kandinsky how problems posed by the work can be elucidated through study of the subject's life and intellectual formation, something that Geoffrey Cocks does brilliantly for the films of Stanley Kubrick, particularly The Shining.
Il m'évoque Jack Nicholson dans Shining, le film de Stanley Kubrick. Et ce qui est frappant, c'est l'emprise immédiate du transfert infra verbal sur le contre-transfert corporel, dans des sensations qui appellent en urgence des figurations pour pré-symboliser l'effroi traumatique, qui s'exhume des abysses où il était encrypté chez Lino et vient m'habiter.
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Stanley Kubrick dans 2001, l'Odyssée de l'espace1, où on voit l'intelligence créatrice condamnée à détruire sa propre création, puisque le super-ordinateur est devenu meurtrier.
Josseline Chemelny
218, chemin des Bas-Vignons
91100 Corbeil
Film de Stanley Kubrick, 2001, l'Odyssée de l'espace, Etats-Unis, 1968.
Daydreams and Daymares
Jan Harlan, Executive Producer for many of the futuristic films created by Stanley Kubrick, asserts that every great story is driven by the emotions of love and fear, and that every fantasy incorporates dreams and nightmares (Harlan, 2010).
Lecture given at the Stanley Kubrick Season, St Albans, 7 June 2010.
Daydreams and Daymares
Jan Harlan, Executive Producer for many of the futuristic films created by Stanley Kubrick, asserts that every great story is driven by the emotions of love and fear, and that every fantasy incorporates dreams and nightmares (Harlan, 2010).
Lecture given at the Stanley Kubrick Season, St Albans, 7 June 2010.
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Kubrick and the American man
After the film premiered in a shortened version in America, Hoff [internet] reported its effect on the audience:
God is dead, but the movie crowd only mourned for a few weeks: On 7 March 1999, Stanley Kubrick died of a heart attack. On 16 July 1999, his legacy [Eyes wide shut] appeared in US cinemas.
Translations of summary
Von der »Traumnovelle « (Arthur Schnitzler) zu »Eyes Wide Shut « (Stanley Kubrick): Von der Bedeutungsidentität zur Identität durch erregte Selbstobjektivierung.
Elle évoquait, fascinée, la dernière image du film de Stanley Kubrick — 2001 : l'Odyssée de l'espace — qui représente le héros, voyageur de l'espace, redevenu fœtus, planant lentement au-dessus de la terre.
Eradicating the daimonic was the goal of the totalitarian society depicted so graphically in A Clockwork Orange (1971), another sublime but disturbing film by director Stanley Kubrick, based on the brilliantly prophetic novel by Anthony Burgess (1963).
In choosing the title Eyes Wide Shut for his posthumous film (Kubrick, 1999; Kubrick & Raphael, 1999), Stanley Kubrick may have anticipated that powerful meanings would be precluded from access to full awareness.
Artificial Intelligence (Inteligência Artificial, title in Brazil and Portugal), a science fiction by Steven Spielberg released in 2001, from a project by Stanley Kubrick, on the possibility of creating machines with feelings.
Cette chanson, également inspirée par le film de Stanley Kubrick 2001, A Space Odyssey, raconte l’histoire d’un astronaute, le major Tom, envoyé dans l’espace et qui décide d’y rester.
His current research is focused on philosophical issues in the cinema of Stanley Kubrick and Peter Greenaway. Email: lacan@web.de
Matthew Gildersleeve Teaches and conducts research at the University of Queensland in Brisbane, Australia.
Like the latter, “Clockwork Orange” was adapted from an English novel of the same name (Burgess, 1963) by an American director, Stanley Kubrick, and takes place in England.
Un film comme “Dr Folamour” de Stanley Kubrick peut être entendu comme le récit du combat qu'une personne peut se sentir appelée à mener devant une menace d'annihilation.
Part of the strength of the book is the way that he has chosen to give space to develop themes in two directors’ work: Stanley Kubrick, and Bernardo Bertolucci, Kubrick gets two chapters, one on his 1975 film Barry Lyndon and one on the film that he was finishing when he died in 1999, Eyes Wide Shut.