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I. Introduction
Psychoanalysis and music. Difficulties and resistances. Causes of resistance.
II. Bibliographical review
III. Music as a defense against the paranoid situation (against the persecution by the bad objects).
The Ingrid case. Analysis of a dream. Anxiety situation from which song emerges. The relation between this anxiety and the oral and oedipal conflicts.
IV. Analysis of a drawing
Proof of the results obtained from the analysis of the dream. The technique of “musical defense”.
V. Scream and sound
Analysis of both phenomena. Analogy between the results of this analysis and those of former chapters. Synthesis.
VI. Music as a defense against the melancholic situation