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Manifest as the trauma of birth by being ejected from the womb, abandonment spread like grief and anxiety throughout Louise Bourgeois's life (1911-2010). She transformed this anxiety into works of art, for which words are inadequate since the origin is preverbal and therefore unrepresented. She uses a capacity for figurability, creating objects that give shape to emotions and fantasies that have not been conceived or represented but registered on a primordial unconscious level. This capacity is possible through a state, not of regression, but regredience, a creative transformational process, which, as a “loom of the psyche,” is constantly weaving threads and ideas together that form links to ahistorical unrepresented trauma for the work of figurability. I seek to give meaning to three of Bourgeois's sculptures here, Fée couturière (1963), Le Regard (1966), and Portrait (1963), by suggesting that they bring shape to and illuminate the trauma of birth, laying to rest, at least temporarily, the ghosts that haunt the artist.*