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Since Freud's time, the concept of narcissism has presented a temporal as well as a structural dimension, oscillating between healthy situations of withdrawal from the relationship with the other and a return towards objects, as a psychic movement which occurs in varying manners in relation to different contexts.
The temporal dimension represents a fundamental element of the great epistemo-logical revolutions of the last century (Darwin, Freud, and Einstein). Psychoanalysis, as a psychodynamic theory of a psychic apparatus under on-going re-organisation, and not as a static description of an anatomically dissectible mental apparatus, found itself facing a narcissistic block, described in an exemplary manner in the dream in the Wolf Man case, in which Freud (1914a) highlights the immobility of the scene as a source of anxiety: the only moving element is the window which opens onto the representation of the tree with seven immobile white wolves perched in it.1 Through associations with the fable of «The Wolf and the Seven Little Goats» and the patient's childhood memories, Freud interprets the dream as a representation of anxiety with regard to the primal scene.