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We do not know of any human society that lacks music, we do not know of a single society that does not express itself through dance.
First the music, then the words.1
The history of music shows us that this art has been present throughout the evolution of human civilisation ever since its origins, accompanying (but probably preceding) the development of poetry, with which it has remained inextricably linked. In ancient Greek culture, Homer was represented as a blind bard who accompanied himself on the cithara; blind because intent on his internal world from where his art drew on the most profound, innermost impulses.
Greek mousikè encompassed melody, dance and poetry, whose common denominator is rhythm. The high regard in which the ancient Greeks2 held music is testified to by the numerous myths that attribute it with immense powers: Orpheus transported wild animals, plants and rocks with his singing; Amphion's beautiful notes built the walls of Thebes; Arion was saved from death by dolphins, enchanted by his singing (Mila, 1963).