You do not currently have permission to view the full text for this document. Please sign in to an account with an active subscription or contact support.
Tennessee Williams called his first great work, The Glass Menagerie, his “memory play.” The situation in which Williams found himself when he began writing the play is explored, as are the ways in which he used the declarative memory of his protagonist, Tom Wingfield, to express and deal with his own painful conflicts. Williams's use of stage directions, lighting, and music to evoke memory and render it three-dimensional is described. Through a close study of The Glass Menagerie, the many uses of memory for the purposes of wish fulfillment, conflict resolution, and resilience are examined