Frozen Harmonies: Petrified Places in the Analytic Field

In this paper I suggest that here-and-now transference interpretations can be defensive when they keep the focus on the intrapsychic world of the analysand and neglect the unconscious of the analyst and the unconscious-to-unconscious interaction between patient and analyst. Whilst the concept of the analytic field in psychoanalytic literature provides us with a way back to Freud's original consideration of the intersubjective alongside the intrapsychic, this inclusivity has been sustained within the Developmental School of Jungian Analytic thought. To illustrate this I present an adaptation of Jung's model of the transference. Once we engage in analytic work with an individual we are inevitably drawn into a ‘dance’ together with its own particular rhythms and harmonies. Each analytic couple creates an analytic field from their idiosyncratic energy flow. Within this field, interruptions to the ‘dance’ occur; mis-steps and disharmonies involve an unconscious refusal within the analyst as well as the patient. Both the dance and the refusal are crucial for the work, and I suggest that our attention needs to be directed here, to the blocks or ‘petrified places’. To illustrate how I believe they can be made use of, I provide material from three case examples.