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This article discusses the malignant ambiguity typical of incestuous language: the ambiguity of revealing and concealing, which creates a language that pretends to produce meaning and enable links whereas, in fact, constitutes a violent attack on linking. Through a detailed description of two clinical cases, the formation of two defensive positions is demonstrated: one involves the overall flattening of three-dimensionality, and the other is a defensive pseudo-phallic position employing various modes of ejection by way of fending off penetration. Finally, the article focuses on the inherent ambiguity of the therapeutic scene and the critical role of the therapist's work of reverie as enabling the reclaiming of both the patient's and the therapist's psychic polyphony.