It is the purpose of this paper to situate what I understand as social subjective productions, highlighting two dimensions, i.e., a structural one and a communal one. I go through some historical moments that left marks, names, and a form of memory, and in that context I comment on some communal social productions, both spontaneous and mandtory. I emphasize that the concept of social subjectivity cannot be thought within a binary logic, and that it requires the inclusion of logics of complexity. For that purpose, the concept of ontological and historical uncertainty is crucial.