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Jewelry art has a unique place in the world of arts since its interaction with the body and its way of relating to the human body are the sine qua non of its definition (Russell, 2010). Furthermore, while some may assume a certain level of association between an individual's social class and the genres of music or movies the person enjoys, deviating from a certain genre may not divest the person of one's social class. However, the link with jewelry is at variance with these. Royal femininity and jewelry are inextricable and a queen without her jewelry is indistinguishable from a mortal commoner (Pointon, 1997), paintings that have survived the ravages of time demonstrate the prominent role that jewelry, including rings, played for the elite (Richardson, 2011). Thus, an overt link between jewelry and socioeconomic status [SES] is conspicuous, hence its function in interpersonal relationships.
Furthermore, in addition to occasions like Christmas and birthdays when some give and receive jewelry as gifts, receiving jewelry is also tied to certain traditional practices that come with rites of passage, confirmations, wedding ceremonies, and bat mitzvahs to name a few (Ahde-Deal, 2013). In other words, jewelry plays a role in the individual's involvement in the processes that are perceived notions, and often defined by the collective. However, jewelry and the purchasing process of jewelry surpasses the two aforementioned functions. Purchasing jewelry does not instigate the feelings of self-loathing and self-judgment that purchasing clothes may provoke in some during the fitting (Halsted, 2006/2018). This is when this individual perceives oneself through the lens of the other, a perceived internalized the other that can include certain individuals or the messages one has received about criteria for beauty and age from one's environmental context. In other words, it is an intrapersonal relationship. Thus, jewelry plays a prominent role in the way an individual relates to ones