You do not currently have permission to view the full text for this document. Please sign in to an account with an active subscription or contact support.
This article traces the development of ideas about consciousness, symbolisation, thinking and affects in the works of Freud, Bion, Meltzer and Stern.
Consciousness is viewed as a special quality of psychic functions and therefore related to the complexity of the world of experience, to its different dimensions as Meltzer describes them. Freud's initial idea about direct and reproductive thinking and a compulsion to associate returns in Bions development of an epistemological instinct and are referred to by Stern as an ongoing, omnipresent milieu of thoughts in which instinctual life takes place.
Bion develops Freud's thinking of unpleasure, primary and secondary processes, when he formulates the difference between pain and suffering, which also makes it possible for him to develop Freud's views on symbol formation. Bion's grid describes the relation between different forms of symbols and makes it possible to understand the importance of the reverie of the mother and how a feeling of meaning unfolds, when symbol formation takes place in a process in which the individual is in contact with the underlying structure. These ideas are in its turn developed in another direction by Stern in his theories of a pre-narrative envelope.
Freud's ideas about perceptual identity and thought identity as a criteria for the release of motor activity are looked upon as a criteria for truth, which returns in Bion's ideas about the relation between truth and the development of the capacity to think. Meltzer takes up this thread when he claims that truth is beauty and beauty truth.