This paper is a multifaceted exploration of white subjectivity and the social phenomena of whiteness, about which there is a considerable body of psychoanalytic literature spanning decades. Hazel White's “unwound sonnet late on the tide” explores themes of traumatic legacies, family, shame, and mourning. Critical poetic inquiry is used to consider these themes and make links between the poetics of psychoanalytic processes and the psychoanalysis of poetics.