You do not currently have permission to view the full text for this document. Please sign in to an account with an active subscription or contact support.
Performance anxiety is a significant professional problem among musicians. A psychoanalytically oriented qualitative research design was employed to explore the psychological realities of six professional musicians from various genres, including classical, folk, jazz, and crossover music. Each participant took part in three unstructured hour-long interviews. Analysis focused on the integration of conscious and unconscious elements in order to provide some insight into participants' internal worlds. Three interrelated themes emerged from the data: 1. ‘The masquerade’, conveying the idea of a covering up of the visible signs of anxiety, and a simulation of confidence on stage; 2. ‘The lair of the beast’, describing the backdrop of the music industry, experienced as a threatening underworld; and 3. ‘The ghost’, reflecting a sense of the overhang of anxiety from earlier generations. Emergent themes were linked to psychoanalytic concepts, including Winnicott's concept of a false self and Freud's discussion of the uncanny. The multifaceted nature of performance anxiety, as evidenced in the material brought by participants in this study, is explored within the discussion. Directions for further research and clinical implications in relation to the culture of the music industry and working with performance anxiety in a psychotherapeutic context, are also outlined.