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This is an analysis of Barrie's play according to Jung's teaching. The author states that it is the story of the Oedipus myth in modern form. The disappearances of Mary Rose an 'the Island that likes to be visited' are symbolic of a disappearance into the unconscious or into the region of dreams and phantasies. Mary Rose's phantasy of 'the little old woman' or 'queer one', personifies the lure of the unconscious on its dread side; the beckoning of the mother-deep. In 'The Little White Bird', Barrie says: 'The only ghosts I believe who creep into this world are dead young mothers, returning to see how their children fare … they do not know their child.' The analysis of this symbolically true picture would shew a personification of the longing for the idealised mother that persists in the adult. The author explains that the maternal image becomes split off from consciousness by repression and reappears as an automatism; this causes undue phantasy and escape from reality. The ghost becomes a projection of the unconscious incestuous wish. Mary Rose portrays psychological incest which is unconscious adaptation to the parents and the stabilisation of the wish to remain a child; the wish for pleasure instead of reality. This regressive tendency to the mother narrows the personality and creates irresponsibility, old thoughts and feelings express themselves everywhere, these tendencies are found in all classes. Analytical psychology shews that these tendencies are solved either by adaptation to life or regression to old channels. Ambivalency causes the mother to stand for the child or herself, promoting adaptation or causing a perpetual alteration of values. Those who never free themselves from parental complexes fail to fulfil the rôle of successful parenthood themselves. Parents should assist in the mental liberation of their children. Mary Rose's parents betrayed their child to death because they refused to let her think out her own problems. Mary Rose's f