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St. Augustine's life can be understood as the outcome of unconscious efforts to solve the problems raised by the Oedipus complex. An intense mother attachment was a constant threat to his masculinity. He tried time and again to express this masculinity and overthrow the domination of the maternal influence. Augustine's childhood preoccupation, as reported in the Confessions, with Virgil's story of Aeneas and Dido illustrates this conflict. Augustine identified Dido with his mother and himself with Aeneas. The bitter tears shed for Dido were the tears of frustration, rage, and guilt he felt towards his mother. His eventual conversion to Christianity was a triumph of the mother identification. The passive feminine attitude to the father was displaced to God. The feminine imagery utilized by Augustine is unmistakable. Simultaneously Augustine's masculine narcissism was appeased by his new ego ideal, Ambrose. Theoretically all these mechanisms should have solved Augustine's tensions by sublimation. However, there is evidence that the old conflicts kept plaguing Augustine to the end of his days.