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In this handsomely produced volume Professor Faber has anthologized 33 papers on Shakespearean plays by psychoanalysts and literary critics whose work has been influenced by psychoanalysis. The material is judiciously selected and edited with explanatory notes and bibliographies. Professor Faber has also written an excellent and informative introduction where he discusses with shrewd and positive judgement the issues raised by the application of psychoanalytic theories towards an understanding of literature, especially Shakespeare's plays. With Freud, Professor Faber argues, the discussion of 'works of art as coherent dreams' became possible. And most analysts will readily agree with his inference that 'they [the analysts] can approach the work primarily as an illustration of an unconscious struggle, presumably Shakespeare's, or they can approach Shakespeare's unconscious struggles through the avenue of the work. When the emphasis falls upon the work side of this symbiotic scheme (invariably it is a question of emphasis) the result is apt to be closer to what we normally regard as literary criticism than when it falls on the man side.' Professor Faber has prefaced each paper with introductory remarks that provide useful references to relevant material elsewhere. At present, a spate of anthologies are appearing everywhere and on all topics. Professor Faber's anthology is a model of how such an anthology should be selected and annotated, so that it is not merely a jumble of papers but a true guide to the whole literature on the subject. The only serious omission, one feels, is that of Ella Sharpe's papers on Shakespeare's King Lear and Hamlet.