Our work is intended to recreate the origins of the 'future creator of psychoanalysis'.

Cervantes had a decisive influence on Freud. Don Quixote occupied a central place during a period which we consider to be crucial in the creation of psychoanalysis; we refer to the summer of 1883 during which Freud confessed to Martha that he had become more interested in this book than in brain anatomy. In this work, Cervantes delves in-depth into problems which he had set out in The Colloquy of the Dogs, read by Freud in his adolescence when he was learning Spanish and which confronted some of the great psychoanalytic themes such as reality-fantasy, language, instinct and reason, traumatic situations, 'family romance', etc. These themes appear in a psychoanalytically structured dialogue in which one of the dogs, Berganza, tells his life story (in the form of catharsis) to the other dog, Cipión, with whom Freud identified himself. Basically, it is the psychotherapeutic model that Freud used with his own hysterical patients.