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In Behind the Scenes, sub-titled Freud in Correspondence, a trio of editors have gathered together a collection of papers, each of which considers some aspect of the information made public in the ever-widening flow of Freud's available and subsequently published correspondence. Patrick Mahony, one of the two contributing editors to this volume, tells us in the preface that if all of Freud's existing letters were published, which is 70 per cent of those he actually wrote, they might extend to three times the length of the Standard Edition. As Alain de Mijolla states in one of the most thoughtful papers in the collection, Freud's letter-writing, however self-conscious, was also compulsive, and crucial to the maintenance of the distanced intimacy on which he relied as a condition of his prodigious creativity. De Mijolla explores and convinces us of the consuming urgency of this process, the passionate intensity of the correspondence, which formed a creative crucible out of which psychoanalysis, as a theory and a practice, developed. As readers of this collection we can be grateful to those contributors who allowed themselves to get close enough to the heat to bring us an illumination that is sometimes disturbing. One of the authors' themes is that Freud's greatness, no longer in any reasonable doubt, requires no cover-up, we can risk disturbing conventional wisdom. An essay in this selection looks at the censorship suggested by Anna Freud prior to the publication of the Jung letters. Her suggestions are fully understandable, considering her powerful and unique identification with the good name of the psychoanalytical movement. In the case of the Jung-Freud letters, however, her views were resisted. Now, the institutionalised