Over the course of several days in May 1938, Edmund Engelman, a young, talented and resourceful Viennese photographer, immortalised the home and offices of Sigmund Freud in a series of pictures that represent the fullest visual documentation of the setting in which Freud lived and worked throughout almost his entire career. He also photographed Freud, his daughter and his wife. These photographs are best known through a book that also contains a memoir of Engelman (Engelman, 1976). The photographs have been recognised primarily for their documentary value and not appreciated for their artistic merit. Through a series of interviews with Engelman and members of his family, biographical data about the artist and information about the photographs has been gathered that heretofore has not been published. This historical note elaborates on Engelman's life before and after taking the photographs, and places the photographs in the context of the life of the photographer.