This is a book which will fascinate all cinema lovers and take its place among the many valuable writings on applied psychoanalysis in Europe. The work has its source in the interdisciplinary discussions which took place between psychoanalysts and film directors at the First European Psychoanalytic Film Festival in London in November 2001. As the Editor says in his Introduction, the aim of this book is to be a metaphorical meeting point between psychoanalysts and film directors from very different backgrounds who have contrasting views on the psychological, political,