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This delightful small book begins with its cover illustration by Claudia Melotti. This shows a bear, wearing the glasses of age and experience, talking to a cub almost hidden in its green shirt, blue hat and red scarf, its shoulders encircled by the older bear's paw. After little more than 70 pages, the book ends with the ‘tale of the bear cub’.
The book reads like a daydream about the author's life and, to a greater extent, his career.
The first picture in this dream is right on the cover of the book, where the three colours of the bear cub's clothing seem to refer to key moments in the author's life. The blue of the stormy sea into which, when still a young boy, he felt he had to dive in a dream that has remained significant for him over the years; the green of the precious stone that he received in another dream which seemed to indicate the direction to be taken; and the red that appeared in the author's first session of his second analysis. In addition, the artist, known and esteemed in Italy, has also succeeded in transmitting the idea of cold: it was not by chance that the interview was conducted in Vancouver.
My dream is that with this book the author might encourage us to pass from an analysis of ‘wolves’ to an analysis of ‘bears’, animals not to be underestimated and which have always held a special place in the world of children. Furthermore, in placing the older bear's paw on the younger one's shoulders, the artist has intuited and highlighted one of the fundamental concepts underlying the book: the need for deep and real emotional contact in the relationship with the patient.
I will continue my progress by free associations — and in what other way could I write a review in which there is a conflict of interests, since Franco Borgogno was one of my training partners, together with Parthenope Bion, Stefano Bolognini and Francesco Barale, to mention only those whose names are perhaps better known?
In film terms, this book can be placed between Adalen 31 by Bo Wi