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Roazen has set himself the task to revive the memory of Victor Tausk in his book Brother Animal. However, it soon becomes apparent that the author is preoccupied with Sigmund Freud, founder of psychoanalysis, who supposedly rejected Tausk for selfish reasons and thereby caused his eventual suicide. This thesis is countered by K. R. Eissler in his book Talent and Genius. Eissler devotes a substantial part of his book to the delineation of borderlines separating the talent from the genius. Accordingly, Freud created universally applicable paradigms while Tausk's brilliance exhausted itself in some contributions, the sum total of which is indeed meagre if compared with the work of Freud. Tausk's many involvements with women were short-lived and traumatic. Psychologically speaking, they constitute the acting out of a fixation within the context of psychosexual infantilism which thwarted his otherwise brilliant ego personality so that a viable relationship with the world outside could not come to fruition. In his last hours of life he did, nevertheless, reach that stage of lucidity he had aspired to throughout his troubled life. This is reflected in his suicide note addressed to Freud. In it he gave him full credit for the ingenious work he had set in motion. Eissler's main thesis lies in stemming the tide of denigration directed against the personality of Freud in general and against Paul Roazen, spokesman of this trend in particular.