You do not currently have permission to view the full text for this document. Please sign in to an account with an active subscription or contact support.
Curiosity about madness was what drew a generation of doctors to the study of schizophrenia, and the writings of Silvano Arieti whetted our interest and inspired our imagination. He culled from the European and American literature the best attempts at the time to describe the processes of schizophrenic thought, and refined those descriptions into a brilliant and accessible phenomenology of his own. But he did not stop there. This phenomenology only served as a good-enough basis for his own gift of graceful presentation of the spirit and stuff of schizophrenia so that it came alive for his readers. Arieti showed us the psychodynamic and defensive basis of what the schizophrenic person was doing with languages and images; moreover, he did this with the respect and love for their efforts of a fine art or literary or social critic. No one took more pains to show the common humanity of this syndrome of feeling less-than-human; no one has invited so touchingly the rest of humankind to understand our schizophrenic brethren, or built more bridges to help us do so.
Arieti's generous encouragement of younger colleagues' interests in schizophrenia was memorable. When I published my first paper about the poetics of schizophrenic language in 1955, I had a letter from him about it. Citation in his subsequent publications meant to me that my efforts were understood and worth pursuing when most psychodynamically and humanistically oriented psychiatrists were all but abandoning the sufferers from schizophrenia. My collaboration with Arieti in a course on the psychotherapy