The writer offers a combined experience in analysis and the performing arts to explore uncanny aspects of the unconscious subtext of the patient's inner drama; subtext which can remain hidden from view in supervision. Freud and Jung's understanding of uncanny experience is considered together with a painting from medieval alchemy and Matte Blanco's conceptions concerning the symmetrical nature of unconscious process. Theatre and the work of the theatre director and actor in approaching the multidimensional aspects of a play are then introduced. Finally clinical case material from group supervision demonstrates how the ‘theatre of therapy’ and the work of the supervisory couple and group promote the emergence of a more authentic conscious asymmetrical response to the patient's ‘script’ that can break the ‘spell’ of the transference/countertransference relationship. This in turn brings meaning to the underlying and implicit ‘stage directions’ that the patient has been unconsciously communicating.