You do not currently have permission to view the full text for this document. Please sign in to an account with an active subscription or contact support.
The so-called 'crisis in masculinity’ in the post-industrial/post-feminist world is not a new idea but in recent years it does seem to have forced its way back onto the agenda due to a lack of traditional employment, such as coal mining, thus robbing generations of men of their cultural identities. This collective 'crisis’ has emerged through media attention on a succession of well-known men in the arts and sports worlds such as Bruce Springsteen, Stormzy, Professor Green and Rio Ferdinand, who share in common a strong sense of masculine identification. In addition, all have openly discussed the healing and relief experienced by embracing the vulnerable, emotional aspects of themselves, or what has been historically characterized as the anima archetype in Jungian psychology. This essay will recount some of their stories of struggle as they have bravely spoken up about their mental health issues, perhaps diminishing, by example, the erroneous notion of depression as a 'woman's problem’.
As noted, in recent times we have witnessed a proliferation of famous men speaking out about their emotional difficulties, often in the context of loss and depression, thus providing potential role-modelling for a more expanded view of contemporary masculinity. This paper attempts to consider the tendency amongst a particular type of modern man who is both traditionally macho and simultaneously emotionally articulate with the capacity to open up about the experiences of their inner worlds and the environmental pressures they face in a fast-paced and ever-changing world. Beginning with some brief stories about the men listed above, the primary focus will be on the work of the UK cross-dressing artist and Turner Prize winner Grayson Perry (b. ), by studying his unusual and highly creative clarion call to challenge modern men to recalibrate their emotional behaviour and to speak openly about loss and emotional difficulty. As readers will see, he has developed a unique method that includes filmed, televised interactional interviews with various individuals and groups and he then produces art pieces that embody what has transpired through his engagement with their suffering and real-life dilemmas. This highly creative process offers a double or even triple containment for those struggling with all-too-human pain via the holding interview with him directly; the artwork that he creates as a result; and then through the recording on film that is shared with television audiences who are deeply affected by what they witness and who perhaps find a form of healing via identification.