Nebbiosi, a multi-instrumentalist/songwriter/psychoanalyst, opens his psychoanalytic ear wide enough to allow Beethoven to enter the musical reverie of his consulting room at a crucial moment of relational impasse. With the help of some sonic synchronicity, he manages to consult the one-minute opening of the Third Symphony, as one might bring to mind a profound and timely interaction from clinical supervision. Here Nebbiosi encounters a compositional schema, created two centuries ago, that emerges into the intersubjective field with his patient. She does not hear it, but he does. According to Nebbiosi, this moment of music manages to show him how to