You do not currently have permission to view the full text for this document. Please sign in to an account with an active subscription or contact support.
The author examines the dynamics of the 'promiscuous' sexual activity in the various characters in Schnitzler's play, Round Dance. He concludes that what superficially appears to be promiscuity actually represents both a mask for unconscious Oedipal wishes and a 'bulwark against the sexual selectivity inspired by our incestuous ideals'.