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This is a long dissertation on autoerotism in its relationship to libido, narcissism, and the death instinct. Gillibert attempts to develop a metapsychology of autoerotism, and, as one commentator suggests, he develops a "metalanguage" of autoerotism. The general thesis is that autoerotism is the keystone of the theory of sexuality as a specific dimension of human sexuality. For Gillibert, autoerotism demarcates the sexual impulse from the self-preservation instinct. Further, libido is opposed to the death instinct, but the death instinct and its derivatives are immanent. From this Gillibert proceeds to a focus on what he terms the "inert." One of the negative modalities of autoerotism develops following the necrophagic incorporation of the dead father. The incorporated cadaver is an example of the inert. Gillibert illustrates the theme of the inert with Don Giovanni and the statue of the Commendatore. Autoerotism as exemplified by Don Giovanni takes on an autodestructive form, that of a masochistic orgy and an autoerotic madness which overwhelms the ego. This aspect of autoerotism in which there is an unconscious fantasy of possession by the dead father is derived by Gillibert from his work with psychotics. He also discusses the autoerotic behavior of autistic children. The essay is followed by brief comments and discussions delivered by participants in the Thirty-Seventh Congress of Romance Language Psychoanalysts.