The convergence of features of Raymond Carver's short-story oeuvre and of psychoanalytic methodology suggests that Carver's writing served as the fulcrum and focus of a self-analytic experience. Within this model, his stories function as container and mirror of myriad aspects of the writer's self. Tracing the developmental arc of the contextual meanings of one motif— fire—through six stories and their ur-texts demonstrates gains comparable to certain analytic goals, including enhanced integration, accountability, and self-awareness. Over time, Carver's narratives of rage, impotence, and despair give way to a new story: of mourning, forgiveness, and the rekindling of hope.