In their commentaries, Sandage and Frommer each describe ways in which forgiveness may be intrinsic to the therapeutic process. But their papers also point to one of the great difficulties of promoting forgiveness as the goal in either theater or therapy, which is that the need to control the healing process can actually impede that process. This reply examines how that need may have undermined the writing of The Laramie Project, and it suggests that, in order to help audiences and clients find true forgiveness, playwrights and analysts may need to relinquish their own righteousness.