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Melanie Klein, whether one is an aficionado or not, is indisputedly on the short list of Freud’s most creative and fecund intellectual descendants. Freud succeeded in conjuring the netherworld of the psyche - the unconscious, later known as the Id - bringing into view its contours and contents, and Klein followed his example of psychic mapping by translating invisible psychic forces and energies into representations that could be imagined visually and spatially. She blended Freud’s final rendition of the drives with the burgeoning object relations conceptualization of his later work into a psychic phenomenology of internalized good and bad, part and whole, objects in interaction with one another. There are no abstract, disembodied drives or purely energic maneuvers in Klein’s depiction, and the vividness and concreteness of her inner world of internal objects, which seem to function almost like homunculi, recalls her early work with children and their play manipulation of small toys and dolls.
Klein maintained that phantasy life begins at birth, which means that from the outset, drives are inseparable from human object representations, albeit primitive and fragmentary ones. The identification of the paranoid-schizoid and depressive positions, and the delineation of the developmental progression from part objects - initially split and segregated according to their loving/good and destructive/bad valences - into their gradual integration as whole objects are among Klein’s hallmark contributions. Where Freud’s models of psychic life are neatly boundaried and ordered, Klein illustrates the multifarious, disordered, and fragmented underpinnings of our psychic organization.
The concept of splitting - the maintenance of an impassable divide between divergent perceptions and experiences - was introduced by Freud to explain the defensive process at work in fetishism, but in Klein’s hands, splitting became an originary and defining construct in the formation of the psyche. The