In replying to the thoughtful and stimulating commentaries by Schwartz Cooney, Silverman, and Singer I am continuing a focus on the kinesthetics of psyche-somatic aliveness. Their responses, along with this paper, take up and move beyond the notions of going-on-being and becoming, of psychic as well as clinical mobility, to consider the potential for greater embodiment and enlivenment within psychoanalytic writing. Engaging with the themes of the creative and the improvisational, I respond to questions related to clinical stance and therapeutic action with an eye toward descriptions that convey movement, multiplicity, and fluidity. Together these four papers take up the physical and the imaginative, infuse motion into the psychoanalytic word, bring the world of play onto the page, and hopefully contribute to the creation of a queerer, more three-dimensional psychoanalysis.