I argue that the entry into the triangular “oedipal” situation for girls does not necessitate a change in object, as Freud proposed, but an addition of object. My argument rests on different strands in contemporary psychoanalytic thinking: an appreciation of the complexity of internal objects, a reconsideration of the concept of bisexuality, an understanding of the role of multiple identifications in gender identity and object choice, and a reexamination of the triangular situation for girls. I focus on the life of Frida Kahlo—as revealed in biographies, journals, and art—to elucidate the layering of internal object choices. I conclude that object choice—heterosexual, homosexual, or bisexual—represents a composite or compromise formation.