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Children and adolescents use a variety of methods to communicate to their analyst, be it verbally, nonverbally, or, as is often the case, in some combination (Sandler, Kennedy, and Tyson, 1980). Unlike adults, whose primary vehicle for communication is language, children turn to other means. They play, using their imaginations and fantasies, employing toys and whatever is available to them in the consulting room; for example, their shoes become cars or planes, a place to hide something they hope (or not) will be found, or in frustration and anger, something to throw. They draw, construct things out of a variety of materials, play games, and, bring their dreams.
It is difficult to talk about the role of dreams in child analysis, without including them in the context of all of the analysis. As Anna Freud (Hampstead Clinic, 1980) said:
Whenever we single out a psychoanalytic concept, and try to study it, we do so in detail, taking that concept alone. … Thus, isolating concepts for study has enormous advantages in learning more about them, but at the same time it falsifies the picture because concepts do not exist in isolation. [p. 193]
A dream is dreamt and then presented within an analytic process, a process that is dynamic and sequential, with an energy, pace, and rhythm where movement is observed and experienced. It is both regressive and progressive, as analyst and child advance toward the analytic aims, be they intermediary or outcome ones (Kennedy and Moran, 1991). There is the micro-process, the one within a single moment or session, and the macro-process, over several sessions or even the entire analysis. Along with the analytic process is the developmental one, where the analyst not only looks back and is concerned with the present, but is also looking forward with an eye toward the future.
Like all concepts, an analytic process does not occur in isolation either, but within the context of a relationship. It is within this relationship that child and analyst begi