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Am. Psychol. (1999) may be described as a vivid screen illustration of malignant narcissism. Adapted from Bret Easton Ellis's (1991/2000) eponymous novel, the film was elegantly directed by Mary Harron, whose previous work includes I Shot Andy Warhol (1996). Harron's films transfer the classical American myth of individualism and self-sufficiency—so often depicted in Westerns—to the urban landscape. Instead of cowboys, her films present creatures that roam around free, not in the big empty spaces of the American West, but the overbuilt and menacing jungle of America's big cities with their canyons-streets of cement. The conquest of the West is now the conquest of the Metropolis, and the brave and lone ranger of yesterday has been replaced by the greedy and lone narcissist of today.