Blade Runner, a film directed by Ridley Scott, was released to theaters in 1982. It was the forerunner of more recent film treatments of the relations between humans and androids such as A.I. Artificial Intelligence (S. Spielberg, 2001) and Minority Report (S. Spielberg, 2002). This juxtaposition is of particular interest to psychoanalysts because it stimulates thinking about what qualities are quintessentially human. By means of its rich symbolism and allusive cinematic vocabulary, the film explores such questions as the nature of the superego, the Oedipus complex, identity formation, and the eternal struggle between eros and thanatos. The author uses the material of the film to comment on some of the fundamental differences between Freud's worldview and that of the neo-Freudians.