This review—essay discusses the meaning of an introduction and considers the project of writing for a curious and intelligent but not highly informed readership. The essay then discusses a recent book that purports to introduce the topic of psychoanalysis and literature but does so without any cognizance of or empathy for its readers and without serious thought for their likely questions, confusions, and concerns. By eliminating the reader from his consideration, the author fails to provide a book that can serve as a viable introduction. And, because psychoanalysis is quintessentially a powerful 2-person dialogue in form, this book subverts the very essence of its own subject. This is of grave concern, as psychoanalysis has, woefully, lost considerable ground in academia. The field would be better served by an introduction written in a welcoming tone, which is lucid, up-to-date, and sensitive to outsiders.