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Spike Jonze's (2013) film her uses the high concept of a man falling in love with his personalized operating system (OS) to explore our love affair with the Digital Age technology of smartphones, artificial intelligence, and virtual reality. In addition to functioning as social satire, the film unfolds as an unlikely romance between user and OS. A backstory constructed from the film's analytic data is offered, delineating the protagonist's early attachment pattern of traumatic nonrecognition leading to a thwarted, alienated, and fragmented self. The OS character's developmental challenges are located around her disembodiment and assertion of her subjectivity. The characters' mutual attraction, born out of self-object provisioning, requires them to negotiate intersubjective recognition and to surrender to loss en route to maturation. The vicissitudes of their relationship are analyzed and viewed as analogous to various aspects of the therapeutic dyad, utilizing concepts from self psychology, intersubjective, interpersonal, and contemporary relational orientations. Therapeutic issues around soul murder, intersubjective negotiation, and analytic love are implicated and explored.