You do not currently have permission to view the full text for this document. Please sign in to an account with an active subscription or contact support.
Early Religion. lou andreas-salomé.
The Art of Andreas del Sarto and the Influence of His Wife. ernest jones.
The Origin of the Artistic Inspiration. oskar pfister.
The True Nature of the Child Psyche. Edited by H. v. hug-hellmuth. I, The Childhood Memories of Baron de la Motte Fouque. emil franz lorenz. II, From the Life of Guy de Maupassant. th. reik. III, Claire Henrika Weber: “Liddy.” v. hug-hellmuth. IV, Mother Love. S. spielrein. V, Alfred Machard: “The Hundred Urchins.” werner klette. VI, Louis Pergaud: “The War of the Buttons Romance of My Twelfth Year.”werner klette. VII, Dostojewski, “Njetotschka Neswanowa,” A Fragment of a Romance. J. harnik. VIII, Multatuli on the Desire for Knowledge. Contributed by O. rank.
1. Early Religion.—The author gives a unique bit of personal experience in her childish conception of God and its place in the child's attitude toward the world surrounding it. She can remember definitely but little in her early infantile human relations out of which her picture of God may have arisen. Two distinct memories of her father seem to have place in these later phantasies. She sees herself once as a small child standing up in her crib as her father enters in his uniform. As he embraces her his cigarette accidentally burns her uncovered shoulder. Her screams call forth excessive tenderness and self-reproach for his carelessness, and the child is sure she discovers a tear in his steel-blue eyes. Again she remembers the cracker bonbons which he would bring her from the royal table, and which she preferred not to open because she liked to deceive herself that within were golden robes. This quality of extravagant phantasy bound with its narrow limitations is characteristic