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Sterba, R. An Analysis of Gothic Art. 361-373.
Kuhnen, H. Psychoanalysis and Architecture. 374-388.
Westerman Holstijn, A. J. The Psychological Development of Vincent van Goghs. 389-417.
Hermann, I. Benvenuto Cellini's Poetical Interlude. 318-325.
Hermann, I. Goethe's Regression to Pictorial Expression. 424-430.
Hermann, I. The Rule of Simultaneousness in Sublimation. 431-433.
Hermann-Cziner, DR. ALICE. The Basis of Marie Bashkirtseff's Pictorial Talent. 434-438.
Sterba, R. An Analysis of Gothic Art.—The assumption of psychoanalysis that the arts represent sublimation products of man's libido is tested by Dr. Sterba in a study of the Gothic. The Gothic art form extended from Russia to France and from North Germany to Central Italy. It lasted for two hundred years and was participated in by the people as a whole. Not only was it a folk art but also a folk neurosis; pilgrims harnessed themselves to wagons to draw building stones to the cathedrals.