Two decades ago, Adrienne Harris published “Gender as a Soft Assembly,” a refreshing, far-reaching paper that intertwines both traditional and cutting-edge psychoanalytic gender theory with anecdotes from Harris's own life as a tomboy in the 1970s. In broadening staid models of development, “Gender as a Soft Assembly” provides the potential for freedom, fluidity, and creativity as an antidote to the rigid, binary constructions of masculinity and femininity. In response, I've summarized the most striking aspects of her paper that coincidentally commingle with my having been a tomboy and offer an opportunity for a reconsideration of my own history.