A small, blind girl has discovered a play for movie making by means of images of the voice. This is her real play, that she plays in order to perceive. Freud had observed real play. We can accept that cinema is some kind of a real play. Films are surrounded with the real and the real rotates in the course of projection. And the meaning in the cinema is related to the invisible, as well as to the visible. Bazin affirms that the frame of the screen is not the frame of the imaginary and the screen only shows a fragment of reality. Every time an off-field takes place beside the vision. In fact, dream is an original real play in an off-field. We can assert that the special form of the position of the analyst and the analysand in psychoanalytic practice, recesses a negative field. Analysand can experience to translate what is in the mind into the field. Thus, the play of the language is transposed from the imaginary to the symbolic.