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In a similar way to Jacques Lacan, who has returned to Freud's theory in order to recover the real signification of his work, Nicolas Abraham and Maria Torok have returned to Ferenczi's theory with the purpose of reviving the original sense of his concepts, particularly that of introjection. The latter is the first psychoanalytic discovery that Ferenczi has made and he was fascinated by it. Introjection becomes a fundamental drive that allows the subject to establish a contact with one's self and the external world. The authors bring an important clarification to the concept of introjection, which has been confused with incorporation. The latter as a corporal fantasy constitutes the matrix of introjection. However, the most notable distinction that they have made between the two concepts is in terms of pathology. While introjection assures the enrichment of the ego by its opening and extension to the external world, incorporation is the cause of the rejection of the drive and concerns pathological processes of mourning. The lost object is incorporated so that its loss can be denied, impeding the work of mourning.