Starting from the idea that music constitutes a fundamental organising principle of the psyche and that the unconscious has a musical nature, the focus is on the embodied component of both the production of sounds and their listening. In particular, it is only through bodily and regressive listening that the analyst is able to grasp and respond to the infraverbal components of the analysand's discourse and to the sensorial and pulsional core of her/his words, thus coming into contactwith his/her own and the patient's infantile.