You do not currently have permission to view the full text for this document. Please sign in to an account with an active subscription or contact support.
If the usual formula is that the negative affects hide in positive speech, overtly racist discourse flips the polarity, but the possibility that a racist discourse might hide a forbidden love, sexuality, or attachment is all too often ignored in clinical treatments that have been published.
One way to mark the progress of psychoanalysis as a discipline is to watch the increasing sophistication and subtlety with which it reads into the discourses of its patients. When psychoanalysis departs from its earliest roots of “chimney-sweeping” catharsis (Freud, 1893), it marks its new method by finding hidden meaning in the speech of the patients, hidden especially to the speaker, and its method of cure was the communication of that hidden meaning. Freud's famous and infamous letter to Fliess (1897), in which he announces the abandonment of the seduction hypothesis, whatever its disastrous political ramifications, is a statement of purpose and radical new method: insofar as we hear psychoanalytically, we hear through and beneath the manifest meaning of the text.
What Freud discovered beneath the manifest was often simply its opposite. The hysteric is unmasked as a sexual adventurer, the obsessional neurotic is revealed to be full of jealousy and hatred, and so on—if not a reversal, then a displacement or a transference, feelings meant for one put onto another. The manifest holds a simple relation to the implicit, one that could be gleaned from the patient, despite their objections, with relative ease.
It was not long before both the methods for seeking the latent meaning and the array of possible meanings became more sophisticated and further removed from that manifest (it can even be seen in Freud's later work). If Freud was one of the “masters of suspicion” (Ricoeur, 1965), his successors opened the door to a world in which the suspicion had to be of both the patient and the listener, as well as the culture from which each spoke. Gone are the days