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The weather report had been dire—a nor'easter, heavy winds, rain. But the day opens sunny and light and warm. I get up from the room in which I have been working for the past ten months and walk into town: Sag Harbor, a village that goes back to the eighteenth century, curving main street, part of the whaling world of the East End of Long Island, now the sweeter part of the Hamptons, a spot for writers and artists back in the '60s, a village with outlying neighborhoods including a middle-class African-American world, the space Colson Whitehead writes about in his novel Sag Harbor. I have had a house here for thirty years, so am a relative newcomer, and this past year I have been here more than ever before, moving through seasons, garden blooming and leaves falling, watching through the same set of windows as the light and the seasons change. I am both still and absorbed in a single red room and walking through the village, beaches and gardens, in a natural world that seems eerily benign.
I am walking, doing last-minute shopping for holiday dinners and thinking about writing this essay. I find I want to/need to start with the complicated mix of relief and guilt in which my life is currently being lived. It is in the discourse with many colleagues. Being a therapist, a psychoanalyst, has meant for many colleagues, nationally and internationally, a sturdiness and familiarity to life. My income—and that of most colleagues—has not been affected by the pandemic and attendant crises. I am working a lot, writing and teaching as well as seeing patients. The routines of my work life are unaltered even as the content of sessions change, both following and avoiding the collective experience therapist and patient are having of watching and following the news. Between the composition of this essay and its editing and publication, the political framework has altered in ways beyond imagining. Rooms— the House of Representatives, the Senate, so usu