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I have a fading flower in my hand Don't know to whom I'll give it on this foreign soil.
“It turns out that when you meet the president of the United States, you are not allowed to have anything in your hands or your pockets, so the fact is I couldn't show President Biden Shegofa Shabazz's ‘Letter to the UN’ published in ROOM 6.23. I could only tell him about it,” Layne Gregory wrote to me, correcting a rumor that had been buzzing about. Layne Gregory is one of the founders of the Asian University for Women's program Writing for Friendship.
None of us, and perhaps least of all Shegofa, ever imagined that her “Letter to the UN” (which had been rejected by at least four different magazines and newspapers before we published it) could have had such reach. Nor could we have imagined that within weeks the IPA UN subcommittee would invite Shegofa to speak to them, register a formal human rights complaint on her behalf, and work actively to find other platforms to amplify her voice.
ROOM is more than a magazine. It was conceived as a psychoanalytically informed community platform following the 2016 US election. Our editorial process is unique. In keeping with our belief that lasting change can only happen from the ground up, we open our doors and wait for readers to write. We never know, from issue to issue, what will rise to the surface of our collective consciousness. Like Shegofa, the authors of ROOM 10.23 are hoping against hope that their words, which are so particular to their separate histories and psychologies, might be heard, might have an impact.
But hearing them may have just gotten harder. The essays in this issue were written months before the horrors which are now unfolding in the Middle East. As I write this editorial, I am aware that it may now be more difficult for some of ROOM's readers to read Diana Moga, a Jew, and Abdel Azziz Al Bawab, a Palestinian, describing their experiences. “Dispossessi