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“Above the Fray marks something of a shift and perhaps a feeling of escapism from all this focus on war, uncertainty, and terror. I've been fascinated by the technical challenge in painting clouds and how to achieve that almost magical sense of intangibility. The clouds represent an escape from all the corruption and the suffocating rules that are strangling Lebanon. I also like the idea that clouds are travelers, like so many of us caught up in the endless cycle of displacement.”