When describing the two instincts in his work “The Ego and the Id”, Freud says that the “Eros, by bringing about a more and more far-reaching combination of the particles into which living substance is dispersed, aims at complicating life and at the same time, of course, at preserving it”. This complication, which I consider to be rather an increased complexity, can be found in the patients’ discourse through the diversification of means of expression and attributed significations, when their “stories” open up to us and to new meanings … However, when stories are meant to free the body of the burden of a stigmata, which must be covered with histories and significants, how can we identify the flux of the Eros in the counter-sense of a Thanatos that, as Freud said, “tends to return the organic to the lifeless state”? I therefore propose that we try and explore this effort to tell the story of the body expression forms trough words, in Mario Vargas Llosa's novel, The Storyteller …