Intuition, sometimes defined as ‘instinctive knowledge’, is by no means an innate instinct. We acquire it in the field of the early dyad and develop it further in later phases, well into adulthood. In the analytical field it becomes an important, if sometimes deceptive, element. The paper applies this interpersonal model of intuition to the cinematic artwork and its analytical interpretation from a specific methodological viewpoint, that will be presented as a field theoretic re-definition of relational psychoanalysis.